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The result is a vibrant retelling that stands apart from its predecessors—as evidenced by the first trailer released on 3 November. It shows Corrin’s Connie and Jack O’Connell’s Mellors having passionate sex by a tree, before flashing back to the former’s marriage to Matthew Duckett’s Sir Clifford Chatterley. We see her apprehension as she arrives at her new home, how alienated she feels in her husband’s glittering circle, and her first meeting with Mellors. “I don’t think I realised how lonely I’d been,” she whispers to him. “Until now.” The two things we know for sure? This sensual drama is guaranteed to bring a new audience to Lawrence’s seminal classic, and cement Corrin’s reputation as one of the most exciting actors of their generation.Content
You clicked on this article fast. You looked at that question and responded with something to do with gender, feminism, sexuality, biological essentialism and you were about to write a brutal comment, weren’t you? This is not a question, however, posed by me. It is in fact the first ever question asked by Ms. Caroline Bradshaw on the pilot episode of the somewhat dated, widely berated, and yet somehow still the bible of all popular TV shows, books, and articles about relationships: Sex and The City. And I have been appointed by Vogue—very Carrie—to re-answer this sacred set of questions for today because, there I was on a call with my editor, twenty-four years since the show first aired, after a particularly strange date and I couldn’t help but wonder: Has anything changed? It doesn’t feel so different. We’re all still obsessed with love and sex and relationships. We still have completely unhinged boundaries (well, my date did). We’re still spending way over our means.
Photo: Parisa Taghizadeh/NetflixSo, how to bring freshness to a story that has already been adapted countless times? “With a very loose camera,” answers De Clermont-Tonnerre. “And the costumes.” Credit, she says, must go to costume designer Emma Fryer, who tracked down authentic pieces from the era, but also found ’20s-inspired items from contemporary brands, including Zimmermann and Vilshenko. “We didn’t want to be trapped by the period, so we stuck to ’20s-style shapes but used modern patterns and lighter fabrics,” continues De Clermont-Tonnerre. “We wanted a bohemian feel, and the idea was that Connie could undress herself more and more easily as the film went on, with pieces that felt like they were a part of her skin. We wanted it to be playful but also not like Marie Antoinette. We wanted a timeless look.”
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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