The T Shirt is 100% cotton pre shrunk Gildan 5000 shirt. 1 Middle Weight Contender; Comfy Men’s Short Sleeve Blank Tee Shirt. 100% Cotton. Strong double needle stitched neckline and bottom hem. Shoulder-to-shoulder taping. Quarter turned. Seamless collar The Digital Printed Transfer and will be placed centered on the t shirt If there are any questions are you need any help with the design please feel free to contact us we will try our best to answer message very quickly and we would love to hear from you. If you would like bulk pricing on any of our products please let us know and we can give you special bulk pricing.
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Outside the livestock arena, where a leaping llama contest had just taken place, seven women posed for a photograph in matching homespun sweaters, all featuring a contrast spider-web design across the décolletage. (One farmer told me it’s common for fiber fans to return every year, showing sellers what they’ve created with last festival’s fleeces.) First-time visitor Sabrina Brokenborough—who traveled from New York City with her friend’s mom—was thrilled to be surrounded by authentic, wholly natural fibers, and to meet the animals that had provided them. A vision in flouncy oatmeal, her headscarf and sweater were hand-crochet from 100 percent cotton yarn. The sweater took Brokenborough two months to make, and was an original design inspired by 1830s garments. “I like to look at historical fashion for my knit and crochet projects,” she explained. “A lot of the things I make have a ton of gathers with lace and frills.” Brokenborough has been crocheting since she was five, and learned to knit in college. She finds the process of forming each stitch to be soothing, “and when you finish your project, you have an immense sense of pride in what you’re wearing.” When she left the fairground, it was with 20 sandy balls of wool from the Brown Sheep Company, sold at a heavy discount. “I love the Lamb’s Pride yarn because it’s 85 percent wool and 15 percent mohair,” Brokenborough said, “And the company makes it permanently moth-proof without harmful insecticides.”Sabrina Brokenborough wears a sweater she designed based off of 1830s historical fashion. It took her two months to complete.
One pervasive condition of modern life is our complete estrangement from the objects that labor produces. When we encounter a product—say, something we eat or wear—we experience it as what Marx terms an “alien entity,” separated from its maker. A bolstering element of the Sheep and Wool festival—beyond the touching of grass and petting sweet-natured animals—is the momentary collapse of this distance, and an unveiling, however small, of the labor-intensive processes behind what we wear. Take the fleece-to-shawl competition, a live three-hour event, where teams comprising four spinners and a weaver produced a 72-by-18-inch design from scratch. The crowd watched as pre-prepared looms were set up; as pre-washed fleece was carded (brushed to remove dirt, and aligned for spinning); and as complex designs emerged, stitch by stitch. According to judge Alice Seeger, a weaver and spinner of 47 years and the founder of Belfast Fiber Arts, extra points were given for using the featured breed’s wool, and for properly navigating its characteristics. “This year, it was a mixture of Leicester Longwool and Merino, a springy fleece which on the loom under tension can seem to be the right measurement, but shrinks when taken off it,” she said.Sheep shearer Donald Kading.
As attendees perused their pastoral Disneyland—tents filled with premium, natural yarns bagged like cotton candy; an alpaca meet and greet; a book signing with the author of Mystical Stitches—many donned the official festival merch. (Namely, “Sheep and Wool”-emblazoned hooded sweatshirts or black logo tees.) Others wore jaunty headgear that simulated a sheep, its body abstracted: headbands affixed with wide, floppy white ears, tufts of curly fleece wedged between them like barnyard mohawks. My favorite hat was modeled by an elderly man in blue jeans and sneakers, and appeared to be custom-made—an enormous, droopy, three-toned woolen wizard hat, reminiscent of Gandalf the Grey. Elsewhere, I watched people rush between tents in fuzzy leg warmers, flocculent beanies, oversized scarves with pumpkin-colored borders, and chunky cable-stitched cardigans. Photographed by Kenyon Anderson
Product detail:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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